“Cyrano” Review: Peter Dinklage plays in a musical film that does not have enough correct notes


The Cyrano de Bergerac has been a model of a tragic love triangle for 125 years, often imitated but rarely equated. The play, which was transformed into a film under many different masks, now adds a cinematic version of the musical, “Cyrano”, which provides an excellent exhibition Peter Dinklage The tortured hero looks different, but does not hit high enough notes to distinguish his colorless boom.

Dinklage usually replaces the prosthetic nose because of his height, which prevents him from expressing his love for his cousin Roxana (Haley Bennett), to whom his love is strongly platonic.

But, of course, Roxanne fell in love with a sympathetic Christian (Calvin Harrison Jr.) who, despite his amazing qualities, lacks self-confidence or style when it comes to romantic art. An awkward solution is for Sirano to write to him (and on the famous balcony stage, to speak for him), to express his love for Roxana without revealing the source or his true feelings.

Hard to spoil story and directed by Joe Wright (“Atonement” and more recently “The Darkest Hour”) No. But musical flourishes work best, partly because of the mediocrity of the songs and partly because of their performers, who are generally on a more solid ground during the dramatic interlude spoken.

Indeed, Dinklage’s spoken voice is a well-adjusted instrument without the use of song and Emmy-winning star of the “Royal Door Games” Brings a real pathos to Sirano’s troubles to match the humor and sobriety associated with the role.

That said, he joins a very good, high-expectation film company in bringing this character to the screen, including the Oscar winner Jose Ferrer (and in terms of screen images, standard settings) the 1950 portrait and Gerard Depardieu in the four-decade French version. later. And of course, not all variations on the theme are mentioned here, a la “Roxanne”, starring Steve Martin; Or the latest teen versions of Netflix “Sierra Burgess is defeated” And “half.”

Like many recent releases, “Cyrano” has made its way to the screen. The film received an Oscar-nominated series – its only nomination in fashion costume design – after its official release was delayed due to the Omicron variant. Thus, it arrives later and with less buzz than the manufacturers obviously hoped.

Thanks to the actor (who also includes Ben Mendelssohn, almost unrecognizable as the villain de Guise), “Cyrano” is worth watching now or later. But this is a relatively modest addition to the title story, where the music lacks at least as much as it adds to the story’s innate poetry.

“Cyrano” premieres in select US theaters on February 25. It is rated PG-13.

“Cyrano” Review: Peter Dinklage plays in a musical film that does not have enough correct notes

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