Marilyn Monroe struggles with the male-led film industry

When she was fired as an exchangeable actress, Monroe knew her worth and boldly defended herself.

“She was finding her power,” said photographer Nancy Lee Andrews. “Becoming Marilyn is not a tragedy. It is a victory.”

Examining the off-camera of this iconic movie star reveals the depth of her life in the big picture. This is a behind-the-scenes look at how Monroe strategically navigated her career.

Not just another stupid blonde

One of Monroe’s early hits was the musical comedy “Gentlemen Prefer Blondes.” She played a stupid blonde Gold Digger named Lorelei, a showgirl who sails to France to marry a wealthy man.

“When it matters, I get smarter, but most men don’t like it,” she says in the movie, the line that Monroe insisted on using.

Monroe had no control over casting while contracting with 20th Century Fox. The studio dominated the industry. This was also a time when very few women were producing, writing and directing. In the mid-1950s, only 5% of American filmmakers were female. A study by Luis Amaral of Northwestern University.

Despite the lack of female expression, Monroe found power by adding complexity to these simple characters.

Sarah Churchwell, a professor of American literature at the University of London, said:

Monroe made the assumptions to catapult himself to stardom.

“If you can not only make a joke, but control it, it’s a sign of genius for me,” said actress Amber Tamblyn.

Find her power and fight for her value

Monroe starred in several blockbuster songs in 1953, including “How to Marry a Millionaire,” where he played the stupid blonde again. The movie earned Fox $ 15 million. That’s $ 150 million today.

After being asked to play the leading role in another cute note in the musical comedy “The Girl in Pink Tights,” Monroe was fed up. According to biographer Cindy de la Hoz Shipra, she literally named it the “trash can” and returned it to the studio’s director, Darryl Zanack.

She also learned that movie co-star Frank Sinatra earns $ 5,000 a week, while she earns only $ 1,500. Marilyn Monroe collection.

“She was the main attraction,” said actress Mira Sorvino. “That was why she flocked to the theater, so it was insane that she wasn’t given such a strong position in terms of salary.”

Monroe refused to play the role until salaries and conditions improved.

“For those who think Monroe is an eternal victim, she left the set of’pink tights’. I said enough. ”

The movie was never made, and the studio changed Monroe’s contract, giving her a salary increase for her future role.

Monroe’s David vs Goliath Gambling

In 1954, Monroe filmed the most famous moments of her career. It was when her dress was blown up on the grate of the subway. This scene will appear in “Seven Year Itch”, which was a big hit with box office revenue.

She was at the pinnacle of success, but was still typecast. So she left Hollywood.

Breaking the deal with Fox, she went to New York and launched her own film company, Marilyn Monroe Productions. She also took classes at The Actors Studio. As she said, this was all an effort to be considered a “serious actress.”

Within a year, Fox approved and offered Monroe a new contract. Monroe gave him higher salaries, director approval, and the freedom to make films through her own production company.

“She got everything she wanted, unheard of in 1955,” said Amy Green, a friend of Monroe who was with her when she received the news.

“She was smart, witty, ambitious, strategic, and above all, incredibly courageous,” said executive producer Sam Starback.f “Reframe: Marilyn Monroe” “She knew her worth and refused to be dominated by the boss of a Hollywood men’s studio. She challenged the status quo and turned the table over and over again to win.”

Prove her acting chop

Monroe’s first movie under her new contract was “Bus Stop.” This was her opportunity to show off her acting chops.

She played a failed musician named Sherry who aimed to be a big star. Monroe insisted on ghostly makeup because he believed that this character would never go out in the sun. She also perfected Ozark’s accent for the role.

“You can see that Marilyn Monroe’s physicality is treated differently than in previous films,” said Jeanine Basinger, a professor of film studies at Wesleyan University. “It has different qualities. It’s more realistic. It’s less voyeur.”

Critics praised Monroe’s performance.

“Many people have said she deserves an Academy Award nomination for her role,” said film critic Christina Newland.

Monroe makes a movie at his production company

Monroe’s next move was to make the movie “The Prince and the Showgirl” at her production company.

“‘Prince and Dancer’ was finally going to show everything she had fought for 10 years and gain all the trust she wanted,” Churchwell said.

Marilyn played Elsie, an American showgirl who fell into a European prince, played by Laurence Olivier. There were challenges during the shoot, like Monroe’s lateness, but she was shining in front of the camera.

“People who worked with her talked about these smart notes she gives after seeing [footage]Alicia Malone, the host of the Turner Classic Movies, said, “She said something very specific and why she wasn’t happy. They knew their craft and needed what they wanted. It symbolized a woman who knew exactly what she was doing.

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Marilyn Monroe struggles with the male-led film industry

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