It’s no secret that Hollywood faced ageist accusations in search of younger viewers at the expense of older players both in front of and behind the camera. Still, the streaming priorities and business models, and the rich content that streaming creates, seem to be tinkering with that math.
Unlike ad support networks, which have prioritized reaching more youthful demographics, streaming relies on subscriptions and partially draws attention as a means of inspiring attention. I am preparing for. Advertisers pay premiums to reach adults under the age of 50, but their parents and grandparents’ money is as environmentally friendly as when it was handed over directly.
Probably the most popular in streaming, but this trend is not unique to it. Chuck Lorre, the producer of hit comedies such as “The Big Bang Theory,” its first part, “Young Sheldon,” and the aforementioned “The Kominsky Method,” has an older patron on his show.
In “Young Sheldon,” Craig T. Nelson, Ed Begley Jr., Reba McEntire, and Wallace Shawn meant to go beyond Annie Potts to supplement the core cast as grandma.
Another Rolex work, “B Positive,” has undergone even more remarkable changes in the second season, with the main character played by Annaleigh Ashford taking charge of the living support facility, and many veteran performers have joined. –Héctor Elizondo, Jane Seymour, Ben Vereen, Jim Beaver — As a resident.
The desire for streaming content went unnoticed by performers, especially as certain types of films that witnessed the feasibility in the theater were heavily eroded.
“They’re good for artists. They’re good for filmmakers. Without Netflix, many wouldn’t have worked,” said 57-year-old Brock. “I can’t tell their story. Who do you think I’m still working as a woman at this point?”
Some caveats apply. There are shows like “The Kominsky Method” and “Grace & Frankie” starring Jane Fonda and Lily Tomlin, but the more juicy part for actors of that age group is the role of the usual wacky grandparents. Beyond, it is still generally offered in multi-generational series.
Television has always, and in most respects, been the media dominated by young people. But thanks to these and other shows, the conditions of alienation have begun to look at least a little more kind.
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