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The Russians were criminals in the movies in the 1980s. What can the new Cold War bring?

At that time, there was no film during the Cold War, but a variety that caught different threads. The conspiracies ranged from the traditional price and stock of spies, from atrocities to Soviet invasions to hopeful demonstrations by Russians and Americans in the United States who found common ground, even if their countries did not find common ground. Others focused on the dangers of nuclear destruction, as portrayed in earlier films such as “Failsafe” and “Dr. Strangelove”, but live life – and directly in living rooms – in the 80s.

This last nail in the coffin included “The Day After,” a 1983 television movie that was considered so provocative that the Reagan administration appealed to the ABC not to broadcast it. The film, shown with a limited commercial delay due to the content, attracted a huge audience – a cultural moment that was properly captured, In the FX TV series “Americans”, Which dealt with Soviet spies operating within the United States.

The Promise, released the same year, offered a lower but no less devastating view of the consequences of nuclear war, while The War Games gave us a more Hollywood spectacle.

This period also included the “Red Dawn,” in which teenagers defended themselves from the invading forces of the U.S. homeland; And “Amerika,” an ABC mini-series about the future of Soviet-occupied America.

Despite the fear of the Cold War, lots of entertaining films were built against this backdrop. “Rocky IV” actually sees the title character win over Russian fans against the mighty Soviet champion Ivan Drago, while in another Sylvester Stallone franchise, “Rambo III”, the assassination machine trained merged with the brave Afghans against the Soviet Union. Among the spies among us, “No Going Out” was somewhat of an early version of “Americans,” while Chevy Chase and Dan Akiroid co-starred in the 1985 comedy “Spies Like Us.”

As for the notion of National Partnership, examples range from “Red Fever,” starring Arnold Schwarzenegger, to “Gorky Park,” to William Hart as a Russian detective trying to figure out a trio of undercover corrupt navigators and part-time partners with American police.

As Emma Piper-Burkett wrote in her 2017 article Rogerebert.comAlthough many of the films of the 1980s featured Russians and Americans collaborating, despite the political climate, “after the collapse of the USSR, Hollywood quickly resumed keeping a familiar troop of Russian bad guys.”
Recent series such as “Americans” and “Homeland” have offered more nuances about Russian characters. Retired General Michael Hayden (who was consulting on the latter) during their lifetime) Told the Washington Post That in the past “there was a theoretical conviction – Marxism bad, totalitarianism bad. The Russians did not need many explanations.”
Carrie Russell and Matthew Riese played Russian spies in the movie 'Americans.

The question is where the Russian image goes from here.

Michael Kakman, Associate Professor of Notre Dame Television, whose specialties include American Cold War culture, expressed hope that the stories of individual Russians would not be lost in the pursuit of broad lines.

“Part of a difficult task in American popular culture is that Russians are imaginary people, or even during most of the Cold War,” Kakman told CNN. If the goal is greater understanding, he added, it is important to remember “that Russia is not just Putin and try to be reasonably sympathetic” to the people who live in the system.

One of the most memorable demonstrations of this thinking in the 1980s came not from the movies or television, but from Sting’s song “Russians,” which reflected his vision for peace: “I hope Russians love their children too.” The musician recently Released a new version The song reads as “a plea for our common humanity. For the brave Ukrainians who are fighting against this brutal tyranny and also for the many Russians who are protesting against this outrage despite the threat of arrest and imprisonment.”

Because it can take years to turn an idea into a movie or a TV show, now it’s hard to say where the latest developments will take us. But if the 80s are any sign – and the content landscape has grown exponentially over the decades – it does not fit in just one basket.

“The world is difficult and so are we,” Kakman said. – All these ideas are in circulation together.

The Russians were criminals in the movies in the 1980s. What can the new Cold War bring?

Source link The Russians were criminals in the movies in the 1980s. What can the new Cold War bring?

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